2025 Art Summary

My 2025 Art Summary

The image has a blue starry background, and text at the top reads '2025 Art Through the Months!' Twelve digital art drawings, captioned with the months, are below, each featuring at least one of Ivy's anthropomorphic characters. January's drawing has bear Phil Astatos, blackbird Phoenix Agnelli, wombat Xavier Womack, dormouse Michel Dupuy, and chameleon Léon Verdier standing in a group. February's drawing has Léon with his daughter Aisha. March's drawing has Linda Sukaalii and SC Tejada talking while walking side by side. April's drawing has Michel Dupuy putting a hand on Léon Verdier and surprising him. May's drawing is a map of Mapicca. June's drawing is Ivy's own avatar lying on her back. July's drawing is a frutiger-inspired Mercury symbol. August's drawing has caracal Nikola deLuna standing in a green cyber background with a glowing butterfly symbol. September's drawing has Michel Dupuy and Léon Verdier walking down a street at sunset. October's drawing has dog Win Filcrow sitting in the corner of a box. November's drawing is a colour wheel focusing on characters' glasses. December's drawing has opossum Wendy del Fidi riding a motorcycle and spurge Egbert Cyathis holding on for dear life.

Content Warning: Guns (briefly)

I'm back for another summary! Last year's was just so fun, so I had to do one this year too, especially since I was on a rollercoaster of art style changes.

As before, here's the full versions and why I drew them!

A digital art drawing of five anthropomorphic characters against a gradient background. Phil Astatos, a brown bear, stands at the front and waves while smiling. Xavier Womack, a wombat, is behind him and to the left, looking blankly towards the camera. Michel Dupuy, a dormouse, is behind Xavier and saluting with two fingers on the wrong hand. Léon Verdier, a chameleon, is behind Michel and holding a rifle, looking towards the camera with his head tilted and frowning slightly. Finally, to Léon's right is Phoenix Agnelli, a blackbird, holding one wing behind his head.

January

This was one of the pieces I posted to my Bluesky, so you've probably seen it before. I still like it, though I'd redo it with cel shading in the future. Phil's big-ass hand still kills me, because I know it was perspective, but it just looks like yaoi hands. Also, for some reason, I decided to use lighting in their accent colours, which just doesn't look good on Phil's hand or on Phoenix, though everyone else is okay.

February

This drawing is just... so cute. Aisha is a precious little bean, and Léon adores her. What more is there to say? While I remember, I still recall trying to model this pose myself, mostly to see how Léon's boots would bend. The idea was that he was against a wall, which doesn't really carry across.

A digital art drawing of Léon Verdier, an anthropomorphic chameleon, curled as though pressed into a corner. His less-anthropomorphic-looking daughter Aisha lies on his chest with a happy expression, and Léon holds her. Two hearts, one pink and one green, float above their heads. Text beside Léon pointing to the drawing reads, 'Based on how she was treated as a hatchling, Aisha is 100% baba's girl.'
A digital art drawing of Linda Sukaalii, an anthropomorphic flying squirrel, and SC Tejada, an anthropomorphic chipmunk, walking side by side. Linda is laughing at something SC has said, while SC raises his prosthetic arm.

March

I'm fairly certain the only purpose of this image was to try and draw prosthetics. I feel like they look all right, but I don't like the sudden lineart thickness changes.

April

This colour scheme was originally based on a palette called "Hard Feelings" I found on Pinterest, made by Angelica Nyneave on Instagram according to the watermark. The drawing was supposed to have Léon in a large crowd, but it gradually turned into just him and Michel instead, because I didn't like the idea of drawing perspective for a street (something I rectified a few months later, as you'll see). I think the idea still carried across—Léon feeling markedly different from the world for a variety of reasons you'll see when I get The West, With Glory done.

A digital art piece with Michel Dupuy, an anthropomorphic dormouse, laying a hand on the shoulder of Léon Verdier, an anthropomorphic chameleon. Léon flinches and looked startledly at Michel's hand. Everything is in a shade of red or orange except for Léon, who is coloured green.
A highly detailed digital art piece showing Mapicca's landmasses. In the top right are Jemsæa and Mistiika, in the bottom left is Goraan Island and Lapin Island, and in the top right is Ruka, all islands. Te mainlands, from the top left counter-clockwise, are Furedii, Kuga, Tiihosakaan, Ununjed, Folaajii, and Halusii. Each area's flags are below their names.

May

This is Mapicca's map, with all the ridiculous detail you might expect. I highly, highly suggest opening this image in a new tab and zooming in. The website version really can't do the detail justice. However, note that every single country name is misspelled now, thanks to my updates to Mapaalii as a language.

As a side note, every flag on this map was made with Flag Machine.

June

I wanted some random, silly profile picture for fun, so I drew this. This is my current profile picture on Ellipsus. This was also a case of my trying out more "standard" furry anatomy... and promptly hating it. I don't want any of you to be faced with the reality of my tit size whenever you see my avatar! I do, however, think my face is adorable here.

A digital art drawing of Ivy Ibu, an anthropomorphic barred owl, lying flat on her back with her hair over her face. One of their eyes is peeking out. The background has a screen tone pattern and fades from light blue to darker blue, along with some sparkles.
A digital art drawing of a symbol for the planet Mercury, with a background inspired by the Frutiger Aero and Frutiger Metro aesthetics. The image is primarily blue, with teal and purple accents. The Mercury symbol itself has a faint image of leaves contained inside it.

July

I got really into frutiger aero aesthetic this year, probably out of nostalgia and joining everyone else's desire for the world to be Like That instead. This was a frutiger aero/metro piece I did for a side project of mine, my Petz fansite Hydrargyry Kennelz, so if you've seen it floating around elsewhere online, that's why!

August

My poor Japanese text got mangled in my attempts at pixel-text-ing it, so 'thank you for villa', Mr. Notebook. At least the flowy, Matrix-y text in the back is correct, albeit distorted. Interestingly, the bottom text originally was going to read "AI-san" instead of "Nikki-san", but I decided not to go with that for obvious reasons, even though Nikola is an AI. The fun kind, not the crappy generative kind.

As a side note, this is the first piece on this summary where I used self-colouring lineart. Hard to believe it was this late in the year, because it feels like I've been doing this kind of lineart forever!

A digital art drawing of Nikola deLuna, an anthropomorphic caracal, standing against a black and green Matrix-inspired background holding a glowing white butterfly symbol. Blocky, pixel-art-like Japanese text at the bottom is supposed to read 'Domo arigato Nikki-san', or 'Thank you very much, Mr. Journal', but is slightly misspelled so it instead reads as 'Bira arigato, Nikki-san', which is a broken attempt at 'Thank you for the villa, Mr. Journal'.
A digital art piece of Michel Dupuy, an anthropomorphic dormouse, and Léon Verdier, an anthropomorphic chameleon. The two are walking along a cobbled street at sunset. Michel is carrying a box and chatting happily, while Léon stands behind him looking sentimental. A large metallic structure is in the background.

September

If I had a nickel for when I put one of my covers for something non-canon into my year-end art summary, I'd have two nickels, you know the rest. This was for a cute little AU where my current-favourite TWWG duo Michel and Léon move to Pardeux, Frons, instead of... well, that's a TWWG spoiler.

October

This was one of eight pieces I did as part of a project to represent my characters with songs from their character playlists. I could have put any of them here, but I wanted to use Win's because I don't show him off enough. The sunset in the background is a real photo I took, run through IbisPaint's "anime background" filter.

A digital art drawing of Winchester Filcrow, an anthropomorphic dog, sitting in the corner of a box with a heavy red outline. Inside the box is a filtered-over real sunset image.
A digital art drawing of a colour wheel focusing on the colour of characters' glasses. From top, going counterclockwise, is anthropomorphic fox Sam Lagounov as red, anthropomorphic shrew Mysari as orange, anthropomorphic dog Roman Filcrow as yellow, other anthropomorphic cat Tori Mewoki as green, anthropomorphic cat Amanda Niceabell as teal, anthropomorphic chipmunk Bash Smokey as blue, anthropomorphic mouse Melissa as purple, and other anthropomorphic chipmunk Chelsea as pink. Every character is greyscale except for their glasses.

November

This was the results of an idea I had to do one of those colour wheel challenges, but with my character's glasses. I did in fact find a character for each colour, though some of them are really deep cuts (looking at you, Mysari, Bash, and Melissa).

December

If you're unaware, Book About Motorcross is the odd one out of my books because 1) it isn't set in Mapicca, and 2) there are anthro plants as well as animals. Egbert here is a wood spurge.

This was another one I put on Bluesky, and my thoughts on it still stand: this was really a return to form for me. All my experimentation this year—coloured outlines, soft shading, anatomy changes—it all solidified into me keeping what I liked and reverting what I didn't. Self-colouring outlines are staying (even if they are a trend right now that will probably die in about a month—I was doing it before it was cool) because I like how it looks. I'm going back to cel shading because I like how it looks. And I may try to increase the realism again, but for now, this style is still where it's at for me.

A digital art drawing of Wendy del Fidi, an anthropomorphic opossum, riding a red motorcycle while in a red racing jumpsuit and helmet. Clinging for dear life to her neck is Egbert Cyathis, a humanoid anthropomorphic wood spurge plant.


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